times are ruff is here with the 11th edition of its imprint, showcasing some of the styles the label stands for, percussive, jazzy, hypnotic and rhythmic house-music. tar011 is a dance floor oriented 4-tracker by alex fields and pete bandit. the guys behind the collaborative times are ruff project & label (which they do together with resistance orchestra) bring you this time two solo tracks each. 

alex fields brings two tracks to the table which both are based on a jazzy foundation without becoming lazy. fields pushes his drums and patterns to overdrive to uplift every dancefloor, while keeping the melody side musically interesting with jazzy solos. bandit keeps it more rhythmic and straight-forward on his side, with a percussive driven beat-track and a small wink to earlier more hypnotic tar releases with his track ruff street.

aus expertenhand: 180 gramm schweres sammlerstück mit zwölf beschwingten hits.

the motorcity boys are back with loveit003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 to heaven, a jacking and balearic workout with a rootstrax, chicago style bassline keeping the floor hypnotised until the small hours of the morning. snares, kicks & rhodes is a more laid back jam. lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. nico brun opens the flip side with an absolute banger, hazily reminiscent of that 90’s warehouse rave. lds and nico brun close the ep with an atmospheric collaboration perfect to start or end the night with. splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that’s guaranteed to bring some sexyness back to the dance floor. this ep will definitely be a regular addition to your record bag to spread those warm summer party sounds. bruno farace early support: xdb (echochord / dolly): debut ep? congrats! end monologue is my favourite.

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

coyote s release their 4th album song dogs. 7 tracks of percussive elecronic mediterranea. opening side 1 is jamon y quesa and chuggy bass driven soundtrack to an early afternoon drive through dusty scrubland to the beach. track 2 natural way is a mellow meditation on becoming a clear thinking wise man. track 3 falling leaves conjurs up lazy moments taking the time to appreciate the beauty the simple things around us. side 2 close with the haunting and soothing herbal remedy side 2 opens with tanits groove a beautiful balearic homage to the godess tanit the warrior goddess of dance, fertility, creation and destruction. the protector goddess of ibiza. featuring the guitar of long time coyote collaborator saro tribastone. track 2 no time to play is a powerful uplifting elecronic groove to welcome a sunrise, i feel the vibration finally the album closes with cala conta sunset. an ambient memory of a brief monent in time on the cliffs of cala conta watching then sun set into the mediterranean sea.

trusted friends is the first offering from holy smoke, the collaboration between producer/rappers jeremiah jae & zeroh. the nine songs recorded together in los angeles 2012 focus on the spirit, health and the sacred use of cannabis. special 10inch vinyl (containing unique trails of silver smoke encased in clear wax) housed in a one-of-a-kind silkscreened jacket featuring artwork by zeroh & psyteone

dutch producer casper von banniseht sidles over to bristol stable boogie cafe to present a three-track 12- of impeccable dusty house grooves imbued with that detroit-esque feeling that oozes out of a moodymann or theo parrish record. -bossa- revels in choppy broken beats and plenty of choice samples in a most loose and soulful of concoctions, while -lazy- cools down to a simmer with subtle disco licks making the most immersive of deep house jams. -lone- meanwhile plies a more chipper trade with its hooky chord stabs, but still the vibe remains smooth and laid back, just how the boogie cafe crew seem to like it.

we are glad to introduce this first flex001 by relative & lazy snail on the dub: in this 12” only vinyl (very very limited) each track is an introspective search of the key sound and of course the right mood. don’t forget the deep inspirations, the rhythm together with the blablabla… and so on… essentially something that makes your body move. the proper vibe for a proper dance.

“i’m okay” is a twist of melancholic melodies and soothing beats. a dreamy, tranquilizing journey providing a soft soundtrack to a lazy late-night forest wander. euphoric horns drift over tight snares and undulating low end, taking you on an elevated trip to the spiritual side of the cosmos.

katastrofa ep is an ex-yu edits release which transforms forgotten gems from the former yugoslavia. russian valique and serbian veteran selector funky junkie are behind this project. opener katastrofa offers a delicious blend of heavy, synth-laden 80s boogie, punchy afrobeat horns and bold, chant a-long vocals, while the slower, more chugging frka is an adriatic delight all lazy, sun-kissed synths, sugary sweet vocals and sloppy kisses. as for closer yugoslavia, it sounds like a disco-house anthem in waiting, as the duo adds bumpin beats to a rising, horn-heavy chunk of starlight disco

mountain ash is an alias of producer lusty zanzibar. when the track portmanteau was sent to uber they immediately picked up this slice of hynotic experimental loveliness. layer upon layer of emotive synths and a pulsing arp help you drift towards a beautiful climax. coyote slow the pace a little keeping the hypnotic pulsing arpeggio and add some lazy beachside drums, percussion, a few pianos and kalimbas creating a beautiful beach bar shuffler. brooklyns finest zoovox create a subtle analogue rework staying close to original but adding their own delicate vibrations. drift away into the sunset.

nice price deal !!! supported by yuksek, boombass, designer drugs, stereoheroes, sinden, jess & crabe, sayem, guido, minitel rose, candy clash, malente, la violette... born in 2006, man&man started organizing parties in paris paris and triptyque, inviting various artists such as yuksek, naïve new beaters, klub des loosers or plasticines. little by little, alexandre, nelson and luc became djs, and played in many clubs in france, while becoming resident djs in the defunct but still beloved flèche d or. they re going to release their first ep les grandes vacances. they self describe their influences as coming from heavy metal to hip hop, from italo disco to early 80s punk rock, which boils down to an innovative organic kind of pop, with a slight touch of feminity siobahn wilson (mymajorcompany) added backing vocals on les grandes vacances. theyre now playing as djs, but have developped a brand new live show, with real instruments, microphones, and animals, caught in the jungle with bare hands. nelson, alexandre and luc are also still assisting guido in panic rooms programmation, with their comme a la maison parties, and gave their name to a cocktail there!

hunting down the coolest sounds around the globe, the wewantsounds crew have curated another special mix for your lazy sundays. dishing out a tasteful mix of new tracks from under the radar, this selection features a string of sunny pop, indie grooves, chilled electro and relaxed disco, the whole seasoned with a couple of leftfield cult classics and classy jazz tracks for good measure. sunday mixtape is the perfect sonic brew that will bring you back to life after a long night or hard partying.
the double vinyl release includes a download code.

special remarks : 12 inch with printed out deluxe sleeve, included 4/0 cmyk innersleeve limited edition 500.
- catapulted into the public consciousness by beth ditto, kiddy smile seeks to spread the retro love in his beats - all of which he produces, sings and sometimes even raps over himself. deeply influenced by the sleazy, lazy feel of 80s and 90s house music and the fabulous legacy of the ballroom scene, he has performed live alongside the likes of hercules & love affair and the gossip. through his own music and performances, kiddy has kept the nostalgic sounds of the dancefloor very much alivebio : via his extravagant persona and good music, the parisian producer kiddy smile gets great coverage in the music world, but also fashion (he s the sound designer for balmain, and spins for the like of alexander wang, balenciaga shows etc.) and queer community.it s impossible to dissociate his music with what he represents today in the gay and voguing community and many filmed / photographed features celebrating diversity have highlighted kiddy smile in them.

resopal presents the sonic love-child of vienna based producer disabnormal. floating on a lazy groove, the title track sounds like the haze of being in love. sexy and deep and interlaced with an acidic bassline. space bedouin is muddier and full of eerie, echoing keys and disembodied vocals -- while hiccup drives again with dry snares and acidic elements.these tracks have a deep dynamic, all produced with a remarkable flow and energy.

this is the second collection to bring together many of the visionary producer clement ‘sir coxsone’ dodd’s early recordings made with jamaica’s most exciting young artists and musicians. the triple 180 gram vinyl release includes a download code.

sebastian fiegen rolls out his debut solo release for cadenza records this spring, with a trio of excellent house cuts on the theofidelity ep. the german producer has been crafting quality productions for some time now under aliases and collaborations, and its on lucianos label where he makes his mark as a solo artist. dopeman opens the ep with a rolling chi-town house style groove, a simple yet effective filtered vocal loop and sustained strings harvest the feel good vibes over its solid beats. fiegen keeps up the pace with anando, more drum led house grooves with a high production value, the vocal refrain cutting in and out of the mix whilst the simplistic bassline and woody percussion maintains the bouncing vibes. closing the ep is th01, again coming correct with the feel good factor with its use of the looped sample and lazy, hypnotizing drums. a cracking debut production from fiegen, and a well rounded release for cadenza.

first release comes from daniela la luz itself, introducing her dancefloor diversity to their new bornlabel. after releasing two albums and a few ep s, remixes and winning a quartz 6 electronic music award, daniela demonstrates once more her genre breaking talent and approach, taking the understanding of house and techno music to new horizons. the combination of tracks is very well thought through. the aim is to fulfill the dj s needs of having one record representing all moods of a set. waveforms are not only a mathematical law, waveforms are everywhere, in all sections of everyday life, in light and in sound. parallel is one of the many parallel universes out there, living and believing in variety, whilst pointing onto respect for various life forms. we do what we love.

the second offering from no more to roam, comes from one half of 2deepsoul, rai scott. a 3 track ep of low slung, sultry beats. clarinet moods, the eps namesake, comes in two different cuts both with the clarinet skills of rai herself, the melody mix is real nod to the afterhours, subtle drums & a haunting clarinet lick, while the lazy dub a little more upbeat, still has that afterhours vibe, carried with the clarinet & simple percussions, closing things up here is move to the front built for the dancefloor, a rolling bassline & synth, layered over a rolling percussion makes up the final cut.

giacomo & michelangelo then rolls out acid tree - a burning acid groove rife with more extended breakdowns and tight drum shuffles that make a fine addition to the record and cap off another certified coup for play it say it

derrick carters seminal sound patrol album originally released in 1994, * sweetened - no lemon*, will see a re-release in january 2016. the alias provided a place for carter to explore deeper and sometimes more atmospheric styles. the sound patrol record originally came out via chicagos organico label, while derrick carters own arts & labour is handling the reissue. the triple vinyl re issue adds four new unreleased tracks. the whole album has been re mastered for 2016. this follows a limited edition sampler 12 inch released in 2015 which contained another 2 unreleased tracks.

dj sounds presents captured, a 3 track ep for the house heads. lazy is a ready-to-go exercice, easy to spin and fresh house track in its most classical yet very personal form, captured is an intense detroit oriented synth jam and dj beats is a short drum track reminding of the beat of track 1. that 001 is for the djs who care about a fresh record of house. and those who like to dance

as he keeps busy on d edge s new sub label olga with a brand new artist album, boss man renato ratier also manages to serve up a hot new ep on the main label with dynamic regard stimming. the pair cook up two fine tracks that showcase both of their styles in all their glory. philosophy goes first and is a playful, loose limbed dance floor groover with parping blasts of sub bass, richly soulful pads and slow burning sense of crescendo that will really lift dancers up and carry them away. it is perfectly detailed and expertly produced to really jump out of the speakers and is sure to be a massive hit this summer in brazil and beyond. conscious then flips the script and slows to a perfectly seductive crawl. lazy drums, slow blasts of white noise and a poignant bassline all get backed by glowing pads and the overall effect is soothing, seductive and sensual. this is a fine ep from two very talented producers and cements a long standing relationship in style.

can t joke with dexy is the opener here and is a bumpy, edgy house cut with tense and nervy keys jangling above a roughshod drum line. it grows ever more dark and comic and things roll on before faith is a more breezy, airy house groove. the drums here dance a nimble dance, thin synths and emotive chords all come in rich layers and a lo-fi percussive line proves how frey can conjure up idiosyncratic sounds with ease. like its title suggest, ghosts is a hauntingly atmospheric track with icy hi hats, pixel thing and hugely melancholic chords and harmonic bells all adding a sense of calm and serenity to turbulent drums deep down below. lastly, scale is a sub 100bpm crawler with fat elastic synths strung up between lazy kicks. two filtered spoken word lines add plenty of weirdness to this soupy bit of cosmic seduction and round out an ep that is stuffed with fresh ideas and great sonic invention.

2018 repress , following on from co-compiling one of 2012s best received compilations into the light: a journey into greek electronic music, new amsterdam based record label music from memory sets sail with a compilation of lo-fi beach funk and lazy synth jams from the rhode island keyboardist and ocean loving leon lowman.

hulks of heavy industry lay strewn around, primitive yet shot through with a cracked futurist vision. red rusting mother loads could have lain there for years, a henge to post industrialism. time to open the sluice gate and slide the fetid bulk into the bloated brine of the next high tide. surfing out across the broth its bow breaks the water, sending a long lazy wave like treacle slapping the side of the wharf. slaughter-phonic noises pulsate from within the lead encased carburettor. on the blistered deck great knotted balls of chain lie rusting for ever, atrophied by age and despair

pete dafeet unleashes the third single from his critically acclaimed debut album the root, the soul, in what will be his labels final release. after a decade in business, baltimore is a fitting epitaph for lost my dog: a languid and lazy deep house cut that makes for a classic end-of-night jam. if that isnt enough, house legend charles webster drops by with a trio of deep and dubby remixes to help the label sign off with a real flourish.

sirius pandi releases sirius03, sirius06 and sirius14 as triple vinyl sales pack for one special price!

summertime is here, so its time for some brand new vinyl from deep site vinylized! for dsv003, we present four impeccable soulful house tracks from istanbul s sinan kaya (kolour/apparel/beef rec/skylax) the title track to this ep, what i want, is a sunny house groover that utilizes lush keys, funk guitar, and rubber-bass with a classic soulful jazz groove. the original second track, lazy, breaks into chicago house territory using an underpinned organ line, beautiful vibe stabs, and solid percussion work.

2015 repress ** re release, originally releases in 1996 !! just brilliant chicago house !!

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

there are two front-cover artworks on one record: one by stefan marx, one by alex solman info: back in 2012, benjamin brunn played a heartbreaking ambient liveset at the almighty golden pudel club, hamburg. his set was recorded and released as a cd on pudel produkte. as it was the perfect soundtrack for the lazy days at smallville recordstore, we all felt the urge to release this on vinyl- and during a blurry smallville night at pudel, we decided to do it. benjamin cut out two parts of 20 minutes each and here it is as a limited recordstore day 2015 item. there are 2 front covers on this fullcover sleeve- one from stefan marx and one from alex c.i.a solman, the king of pudel-related artworks and mfoc.

2015 repress ...fatty fatty phonographics is a new label out of dublin determined to dispense with lazy loop button editing and get back to the original point - to make great songs work better on the dancefloor.

why stop when youve got a good thing going? that was our reasoning, at least, behind gp286v, a special vinyl release inspired by the crazy goodness that was roach motels, the night ep. released alongside a handful of great remixes by the likes of tuff city kids, fred everything and felix da housecat, this vinyl edition of the night has put their old-school-leaning 7 minutes of popping rhythm heaven on wax for all the black gold enthusiasts to enjoy.

among the things that go boom in the night, the slick but rugged house jams from terranova certainly occupy a territory on their own - these cuts are precision engineered to rouse any lazy crowd, while providing enough depth for the auditory cerebral cortex to keep spinning.

smallpeeps back on smallville! w&p by julius steinhoff & just von ahlefeld cover artwork by stefan marx mastered by helmut erler/ dubplates & mastering

delicious deep and lazy house

the h.a.n.s. is back. with more tools for fools. four traxx and two extras for the soft working dj and the fast moving dancer. more samples, more nasty beats, more heavy stripped down kaputt groovers. weak kick drums, lazy arrangements & shameless sampling guaranteed. food for fun? maybe rooted somewhere between the early paul jacobs and the late bcc music starring a 2014 twist if you know what i mean. you better remember that h-ouse a-int n-othing s-erious. it is still nothing but big fun.

transition lab recordings is proud to present his third release of another talented member of transition lab family jacopo aluzzi with an huge patrick skoog remix. the jacopos music is in unison with the essence of the music event, mixing perfectly deep and techno atmospheres.

the no stress express rolls back into town with their second offering for rogue cat sounds, where they pick you up and transport you to the sunnier climes and headier days of 1980s caribbean. steel drums, loose-limbed percussion, lazy synth stabs and carefree basslines, all infused with a whiff of woodbines, jerk chicken and dark rum. as the sun sets, the party picks up momentum. barefoot beach dancing.

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

second release from uber records is jesus luvs u baby. los porcos drop a tripped out dreamy piece of indie balearic soft rock. reverbed guitars and chugging bassline and a blissed out vocal. on the remix claremont 56 boss paul mudd murphy delivers a stripped back atmospheric dub groove whilst the second remix from is it balearic..? boys coyote step on the delay pedal and and hit the percussion. the lazy hammock dub is exactly that ... uno dos tres quatro.

todd osborn ftw again. this time with music to go with the beats: acid, house, idm and lots of fun. starts with two mixes of put your weight on it. one for lazy djs from frankfurt and a shorter one for hard working windy city selectors - in any case heavy stuff. flip features the softer side of the michigan maestro with the downtempo love poem medium and the contemplative markert. todd is g(o)od.

hot new release from sunkissed recordings celebrating italian synth pop hero mike francis aka francesco puccioni. back in the 80s, francis elegant electronic style and smooth rich vocals provided a perfect backdrop to nights dancing on the sand and in clubs throughout the mediterranean and his popularity continues today amongst the balearic cognoscenti. this ep features the fantastic in-demand club mix of *features of love*, a funky pop-soul opus washed with lush synths, lazy guitars and dreamy vocals plus the sought-after long 12 inch cut of *survivor*, a gorgeous slice of blue-eyed soul with a strong dancefloor sensibility. flip over for big cosmic play, the magnificent 12 inch version of *body thrill*, a bass-heavy chunky instrumental with an art of noise feel followed by francis beautiful laid-back cover of the bill withers classic *lovely day* and lastly the heavenly hypnotic *on and on*, a little-known gem from the b-side from a rare 12 inch. a great package!

heavyweight 180 gram double vinyl reissue in gatefold sleeve with download code. audio is remastered from the original 1972 analogue stereo master and cut at abbey road studios.

last summer, you could barely escape the wide-eyed charms of *late train*, the epic second single from paul murphy and quinn lukes all-star balearic rock outfit. following its release on claremont 56 last may, the song became the soundtrack to sweltering afternoons by the mediterranean and lazy boat parties in the adriatic. 10 months on, the blissfully baggy original is given a new lease of life thanks to a swathe of new remixes.

danish christian nielsen joins 8bit with a 4 track ep and a grooving collab track with new yorks very own mr. v. spitting out unashamedly funk jams that are solely cut for the dance floor, christian is climbing the house ranks and showing his profession in music production. timeless uncompromising house sound makes this ep a winner for good. 8bit078 played by dubfire, steve lawler, anja schneider, felix da housecat, huxley, hot since 82, noir, glimpse, betoko, nick curly, gorge, uner, tim green...

produziert wurde das album in berlin von nackt (apparat), co-produziert haben ben lauber und ein electro-pionier der zweiten generation: t.raumschmiere. *out of chaos* enthält zwölf moderne electro-chansons zwischen bar und tanzfläche. herausgekommen ist ein großes album, auf dem dieter meier an der bar seines lebens über den fluss der zeit sinniert. mal klingen seine lieder wie electro-akustische yello-songs (lazy night, paradise game, jimmy) mal wie ein zärtlicher verflossenen-blues aus dem tiefen ozean (loveblind, annabelle), mal gibt es postpunkige unverschämtheiten (fat fly, baffoon), oder eine ode an einen befreundeten künstler, der sich als nachtportier durchschlagen muss, wird zum besten gegeben (night porter). immer klingt *out of chaos* nach einer magischem sound-alchemie aus chanson, electro und dub. im mai startet die tournee zum album!
die vinyl-lp erscheint inklusive cd-version des albums.

marc depulse makes his single debut on noir music with the long awaited no need to worry. the fantastic vocals are written and performed by nm favourites hollis p monroe and overnite.